Tag Archives for workshop

How to Edit Your Novel – Gwen Style

For those of who you missed the meeting last weekend, I gave a workshop on how to edit a novel. The full PowerPoint presentation can be found on the Journey Drive, in the “General Meetings” folder. But, to re-cap and skip the exercises, here’s what to do with your NaNoWriMo rough draft.

The editing cycle as described by Gwen Tolios

(Note, the double arrows are because these often overlap)

1) Recall

Think back on your draft. What plot holes do you know you have? What needs more, or less, foreshadowing? Is there anything you need to research, be it for world, character, or plot? Do your characters stay consistent throughout the story?

Discovery Writers/Pantsers – Does your plot flow from action to action? Does it move too fast? Too slow? Did something you discover 1/2 through need to be brought to the front?

Plotters – Do your characters stay consistent? Does your world need more detail? Do you invoke the senses? Are your characters flat?

2) Self-Edit

Word cloud for One for Sorrow, Two for Mirth (draft 1) by Gwen Tolios used as an editing tool.

One for Sorrow, Two for Mirth word cloud

Go through your draft and make the changes you noted when recalling it. Then, during the same pass or the next one, go through the story line by line. Keep your eye out for misspellings, especially of names or items you made up, and note your use of grammar. Fix awkward phrases, get rid of passive voice. It might help to do continuity checks too. If your hero breaks his arm in chapter 7, where is the cast in chapter 9?

A useful tool is a word cloud. Use it to determine what words you overuse, then use Word’s find feature to help you replace them.

3) Critiques

You have a front row seat to your novel, which often means you aren’t the best judge of it. Critiques help you identify trouble spots, areas that are confusing, and whether you have correct information. Give your novel to different people, other writers to identify craft issues, readers to pick apart enjoyability, or experts to make sure you covered a subject accurately.

Keep in mind, multiple crits (try to get 2-3) will give you multiple opinions.

4)Aggregate/Recall

Aggregate all the crits you received and decide which suggestions and edits you want to keep. If 3/4 readers suggest something, you should probably take a look, but if the vote is tied there are a few things you should keep in mind.

  1. How similar is their preference/work to yours? (A romance writer’s thoughts on how your magic system is built might not be the best advice. But listen to them about character interaction.)
  2. Are they familiar with the whole work, or just a chapter? (Because some things might be addressed before/later)
  3. What fits better with the story as you imagine it? (Do they want you to dive deeper into emotions when you want to keep it a light hearted tale?)
  4. How much do you trust them/their edits? (Are they actually making suggestions to be helpful, or just like to nitpick?)

It easier to answer these questions if you build a rapport with critique partners, so try to be active in a community, be it coffee shop meetups or an online forum. Take everything you’ve gotten, recall and compress it all in your head, and get ready to use that information for another self-edit.

Editing is a Cycle

How do you know when your work is ready? You never do. You should go through the cycle at least twice before querying to agents, but don’t be obsessed with making it perfect. Once you have a contract, you’ll go through all this again. But don’t let few of it not being ready hold you back!

Finding your writer’s voice

Yesterday we held our annual workshop on Writer’s Voice.  You can view a prezi presentation that is based on these wiki notes gathered from the web.

Some of the exercises we used were developed from the Fan Mail from the Future: Finding Your Writer’s Voice workshop at the DucKon 19 conference; that workshop had been presented by the talented author Jennifer Stevenson. One of the exercises is based on picture prompts–you can see the groupings of pictures below. Some members of the Journey find value in seeing how their writer’s voice develops and changes over the years.

These workshops always leave me impressed by the writing voices of my fellow Journey members.

Afterwards, some of us went out to dinner at Naf Naf’s for some lively conversation.

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Workshop on Revising Your First Draft.

The Path to Publication   –   From First Draft to Self-Published Novel

The Writing Journey Workshop on Revision

Ready to create the second draft of your 2013 NaNo novel? Already started or still working on 2012? Mark your calendar. At the next Writing Journey meeting (Saturday February 8, from 11:30 AM-3 PM in the Lunch Room, Naperville Municipal Center, 400 S. Eagle Street, Naperville; as with other Journey meetings, bring your own lunch) Roger Lubeck is conducting a Workshop on Revising Your First Draft.

Going from first draft to a finished, publishable, novel takes a series of steps. It is a process of writing, revision, and editing. This workshop will examine the process of revising a first draft. Through presentation and hands-on activities, the workshop will explore character, scene, and dialogue development and revisions, using a story wall for plot adjustments, and the ARRR process of revision: Add, remove, replace, and rearrange.

In the workshop, participants will revise aspects of one of their unfinished novels. To facilitate these activities each attendee is asked to bring a copy of his/her novel, or copies of pages taken from his/her most recent (first) draft for the following workshop assignments:

Assignments:

  1.  Character. Bring a copy of the description of the main character (Protagonist) taken directly from the most recent draft (text only no bullet points). This should include the first time the character is described in the novel and page number. You can include later descriptions (pages) if they help. You can print the page and highlight text if you like.
  2. Location. Bring a copy of the description of a location or scene that is important to the story. The description is to be taken directly from the most recent draft (text only no bullet points). This should include the first time the location or scene is described in the novel. You can print the page and highlight if you like.
  3. Dialogue. Bring a sample of dialogue between the Main Character and another Main or Secondary character. The sample should be half a page or more with what you consider either your best scene of dialogue or a conversation that needs work.