Um…Little Help Here?

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Okay, sometimes it’s not easy

I’ve written a few posts talking about what I do to keep writing. After fielding a few responses, I realized that what I’ve posted up to now were pretty much along the lines of “Just do it.”

People wrote or grabbed me to say, “Hey! I’ve tried to write (or exercise) on a regular schedule and I just can’t keep it up. It’s all very well for you to say, “Just do it.” What if that doesn’t work for me?”

Fair question. Developing good habits is hard. Getting rid of bad habits is hard. Anyone who pretends otherwise is an annoying prig, like this girl I knew in high school, Angel McPrissyface. Here’s the background: I experimented my junior and senior years with smoking a cigarette while walking into a liquor store, hoping that smoking made me look old enough to buy alcohol. Since beer-and-wine age in Illinois at that time was something like 19, it worked better than it probably would nowadays. Ah, my halcyon youth! But the point isn’t that I was a degenerate who bought alcohol before I was old enough to drink legally. The point is, I was a degenerate who learned to smoke.

If you have never smoked, I cannot possibly convey how addictive nicotine is. By the time I was halfway into my freshman year of college, I was definitely a smoker. So: I smoked for maybe a year, maybe a year and a half. It took nearly as long to quit as it did to get hooked. I might still be smoking if BK, who I was dating at the time, refused to kiss me as long as I smoked. No question, kissing beats smoking.

Anyway, while I was home from college that summer, kissing was not an available smoking substitute. I was in Illinois, and BK was in Tennessee. I mentioned to someone I knew, who was still in high school, that I was having a hell of a time quitting. She put this prissy look on her face and said, “Well I never started!” as if I ought to give her a medal, or at least a cookie. Good thing I had a friend who heard the exchange and said Angel McPrissyface was an annoying little prig. Which she was.

I would like not to be like Angel; definitely not the kind of person who says things like, “Just do it.” (Sorry, Nike, but seriously). In the service of that ideal, I am coming clean. I didn’t always write every day, or exercise 5-6 days a week. I started the exercise habit first, and eventually got around to the writing habit.

And here’s something else I hate to admit. Unlike Stephen King, I don’t write 2000 words of usable fiction every day. I write at least 750 words of something. Sometimes it is dreck: just a mind dump. That’s certainly how I started. Or sometimes what I write is a blog post, like this one. I hope this isn’t dreck, but I’m not in a position to judge.

Finally, after well over two years of using 750words.com faithfully, the proportion of fiction to dreck is slooowly inching in the direction of more fiction, less dreck. Usually that happens best in November, or any other time when I’m able to write 2000 (or so) words daily, rather than just 750. Even so, much of that fiction might be a later draft, and much of what I’m doing in a later draft is actually cutting words I’ve written earlier. Transforming myself into a prolific fiction writer is definitely a work in progress.

So…I belatedly realized that when I posted (in my 3-Legged Stool entries) some of the reading I’ve found helpful , I left one really important book out:

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The Power of Habit by Charles Duhigg

The Power of Habit may or may not help you, but it was a relatively quick read, and it got me back on track when I hit a rough patch.

But let’s say you don’t want to buy the book or you’re too busy (or cold, if you live by me)  to go to the library. Here are a couple of interesting posts on using the peculiarities of your brain to trick yourself into good habits:

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Graphic from Robbie Blair’s site

I liked this post by Robbie Blair. He offers 14 ways to make it easier to start a writing habit. He mentions Charles Duhigg’s book, too, so maybe it’s not just me.

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Graphic from Wait But Why site

And this post by Tim Urban (maybe with help from Andrew Finn?) was entertaining and seemed to have more than a kernel of truth about procrastination.

Woo-Hoo! Free Story!

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An anthology of dreams

Getting ready for Capricon, and I have miles to go before I sleep. So, huzzah! Today is free fiction day on CB’s Mojo. I’m sharing a story that previously appeared in an anthology produced by The Journey.

The anthology, Drops of Midnight, was edited by Steven White. About a dozen of us (including such luminaries as Tim Yao and Katherine Lato) contributed. Here’s the teaser from the back cover:

In the dark alleys and gaslit pubs of lower London you can buy almost anything—including dreams.

Here you can purchase small glass bottles offering tales stolen from the subconscious. Taste the longing and regret of a woman escaping her father’s fate and trying to live up to his memory. Experience the dreams of a child trapped in a coma, needing to fly. Feel the pain and nobility of a dreamer living through the Holocaust, or a general on the eve of battle. Some dreams are surreal encounters, like meeting a faded celebrity; others are dark nightmares, like a demon torturing a man for his past. One woman daydreams of a lost loved one; another man makes a bargain that may cost him his dreams.

Sample a bottle of stolen dreams—twelve stories spanning time and place from writers exploring daydreams and nightmares.

Be careful which one you open…

This is how my story begins:

Belarus Lost
In honor of the Belarus Free Theatre

This isn’t my room.

Every morning it takes me awhile to remember that I’m not home. Only it isn’t morning yet. The only light in the room comes from a tiny amber LED on my cell phone as it charges.

My roommate and fellow actor, Elizaveta, snores softly in the next bed, undisturbed by whatever roused me. Of course, I wasn’t fully asleep. I haven’t slept well since we escaped.

We barely got out of Minsk with our skins intact. I’m still waiting for my body to release all the fear and tension of those last miserable days, when we didn’t know how many of us would get away, and how many would spend the next fifteen years—maybe more—in prison. Assuming we lived through the interrogations, that is.

Mercifully, all nine of us made it to New York. The play that we risked everything to perform was well received. Our American hosts praised our bravery and provided a house for us to stay in. They’ve also been trying to help us figure out what to do when the month-long theatre festival for which we were booked is over. One after another, they present solutions for us to consider. Aleksey and Natalya, our leaders, enthusiastically examine every idea they offer.

Our situation has begun to exhaust me. When I am away from the others, I wonder why I didn’t just seek work as an office clerk or a waitress. At least waitresses aren’t imprisoned for doing their jobs. But no, I had to have the magical electricity of the theatre, the thrill of passionate discussions late into the night, the certainty that our plays, which dramatize Lukashenko’s worst abuses, would save our country from his dictatorship. And finally, as it turned out, the necessity to flee if we wanted to reveal the truth about Lukashenko’s regime to a wider audience.

I don’t mean to make a sound, but something like a moan escapes my lips. Elizaveta stirs. If she finds me awake, she’ll ask what’s wrong and try to comfort me. I don’t think I can take that again. I’m tired of being the only one in our group who can’t seem to cope. I creep out of our room and close the door.

Now I don’t know what to do. I’m too jumpy to even consider sleeping. I thought a noise must have awakened me, but though I strain my ears, I hear nothing but the night traffic outside. I can’t just cower in the hallway. Of course no one is downstairs, but I won’t be able to relax until I’ve made sure.

I steal down the stairs in thick socks, wearing the old bathrobe that still smells of my mother’s potato babka. This house, lent to us by one of the rich New York theatre people, smells of a strong, scented cleaning product covering up mold, or old dust.

I look first into the dark kitchen. Nothing moves. I could turn on a light, but the street lamps outside, reflecting off a recent snowfall, provide enough light for me to be sure no one is in there.

Through a swinging door, I see no one in the deserted dining room. The living room, filled with mismatched, sagging furniture, lies across the central hall. I’m almost done making certain I’m the only one down here, but I won’t be able to let my breath out until I’ve checked the last room. I move back into the hall and approach the last door, which opens onto the library. And then I see.

The door is ajar. I push it open and go in. The room is so cold my breath comes in sharply. Immediately I see the reason, but the shock makes me unable to speak or scream. A window is fully open and a light-haired man helps a dark-haired, bearded companion over the sill and into the room.

To continue reading, click here.

If you’re interested in the rest of the anthology, here it is on Amazon.

The Three-Legged Stool of Creativity – The Last Leg

Filling the Well -or- The Care and Feeding of Your Muse
Part Three of a three-part series on helping creativity flow

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All three legs

You can only stare at your computer screen or scribble words on a page for so long before you start to go wacky. Ask Stephen King. Or his character, Jack Torrance.

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Don’t let it get this bad, fellow writers!

There are a bunch of ways to fill the well/care for your muse (pick your metaphor). Julia Cameron, whose book, The Artist’s Way, was mentioned in the first post of this series, recommends Artist Dates. For an artist date, you set aside maybe an hour a week to do something fun, but you need to do it by yourself. No significant other, no kids, no pals. You explore some new, interesting thing without having to worry about what anyone thinks of you, or of the experience. It’s a great idea. It’s also more difficult than it sounds. It’s not usually hard to participate in your Artist Date once you get there. What’s difficult is committing to take the time to do it. It’s easier, as Cameron says, for most of us to work at our art than it is to play at it. I’m not that good at it myself, but I have actually tried this in the past. Some of my artist dates have included:

  • Sitting in a bookstore and looking at gorgeous art or travel books
  • Going to Naper Settlement, a local living history museum
  • Pulling out a kid’s set of watercolors and painting, even though I suck at it
  • Bird watching
  • Driving to Starved Rock State Park to hike and take photos
  • People-watching at Union Station while jotting notes about people and my surroundings

The Union Station trip was a particularly good idea. It was a week or so into NaNoWriMo, and I was hating every word I’d written. I couldn’t face the page anymore. After a few hours of writing about something other than my novel – something no one was going to read – I came back refreshed and ready to write on my novel again. It was like magic.

You don’t need to fill the well all by yourself. Hanging out with other, like-minded people can be energizing, too. There’s no way I would have stayed as committed to writing if I hadn’t found my writing group, The Journey. We support each other as a group. In addition to working on our craft together and commiserating, we also find ways to have fun. Various activities have included visiting The Art Institute or Morton Arboretum, seeing live theatre, starting our own reader’s theatre group to read Shakespeare plays together, learning archery, going out for drinks, and playing games. And when possible, we try to find ways to organize a potluck lunch or go out to dinner.

So there are at least two ways to go – solitary or social. I recommend both. If you haven’t already started a muse-feeding, well-filling practice, try the one that’s easier to manage, and try to do it at least once a week if you possibly can.