Catherine published a novel and short story back in the 1990s. Life intervened, and she didn't write for a while. But then she started writing again in 2010 for National Novel Writing Month, and has continued to write in November and throughout the year. She has stories in two Journey anthologies, Drops of Midnight and Other Worlds. She is currently either revising her latest NaNoWriMo novel from 2012, working on short fiction, or posting on her blog, CB's Mojo.
The original release date for the latest Writing Journey anthology (I have a story in it!) was going to be today. It actually came out a couple of days ago, but either way, it’s available! In time for the holidays! Woohoo!
Here’s a little information about our anthology, Voices from the Dark:
Within each of us lies a darkness. A deep, unnerving essence that lurks at the fringes of our consciousness.
Eleven members of the Writing Journey set out to explore the darkness that lies in all of us. The Writing Journey beckons you to experience their darkness.
You can order the print book directly from CreateSpace here or from Amazon here.
There should eventually be an e-book available as well. If you’re waiting for that to happen, please let me know (comments below would be great!) so I can poke and prod the powers-that-be to make it happen.
Regular readers of this blog may remember that I’m following along with the Writing Excuses master class in fiction writing. Slowly. As in, I’m still working on assignments that were given back in April, but at least I’m working on them.
For the assignment I’m on right now, I’m supposed to share the first 13 lines of a story, and then ask alpha readers—that would be you, if you choose to accept the assignment—what they think the “gee-whiz” of the piece is. In other words, what is the reason for telling the story? Is it a certain interesting society, character, piece of tech, kind of magic, or what?
In that spirit, I’m sharing the first 13 lines of a story I’m writing, and asking for responses. Can you guess/predict the gee-whiz?
Kimberley savored a celebratory caramel macchiato in the coffee garden across from campus. Her eyes rested on a bed of pink tulips under a flowering crabapple tree as a light bubble of joy filled her chest. Her old implant pinged. Even before installing her upgrade, she was already thinking of her implant as the “old” one. Marco’s tone. She bit her lip. She’d hoped to tell her mother about her placement first. Mom would have the perfect reaction, but Kimberley’s ping to her had so far gone unanswered. She planned to tell Marco, too, though his response might dampen her mood.
As if anything could. He might not be as happy for her as she might wish, but they would both get over it. And she wanted to hear about his placement. She clicked her tongue to open a line, said, “Hey.”
“Did you find out yet?”
“Yes. How about you?”
“Skank! You first.”
There they are. The first 13 lines, at least in my web browser. Any impressions regarding genre, tone, conflict, story question or characters are welcome, but I’m particularly interested in what you think the “gee-whiz” might be.
In other news, Cookie, Sis, and I just got back from England and France. Photos and anecdotes coming soon…
As in the two previous posts, a character I created is walking through a marketplace to perform a dead drop. This character is different from the characters in the last 2 posts. See if you can figure out the job, hobby, and emotional state.
Angela stepped off the bus and held her hand up to her forehead, surveying the French market through watery eyes. She blinked to clear her vision. A gray-haired woman jostled her as she exited the bus and strode to the far end of the stalls. Angela would have shrugged had she possessed the energy. She could do worse than to follow.
Throngs filled the aisle that ran between the market stalls. In the noon sunlight the patrons’ casual clothing, the piles of produce, the stands of flowers—everything seemed too bright. Amid the murmur and chatter of voices she could make out the amplified sound of a man singing and strumming a guitar. She suffered the sweaty mass of cheery humans until she located him.
Past a display of leather goods, a blond walrus of a man sat on a tall stool. His guitar rested against his great belly, held in place by a diamond-patterned strap in neon yellow and green. He played some insipid old song which she’d heard before but couldn’t quite place, then swung into a patter about his CDs. The crowd started drifting off. He cut his spiel short and began to pluck the syncopated introduction to “Bésame Mucho.”
His playing was nearly as good as some she’d heard in the clubs. Despite herself, Angela felt her hips want to sway and her dragging steps to morph into the moves of a dance. She stopped, really looking at him for the first time, noting his faded jeans and ancient Eagles t-shirt. He was already watching her; his wink was barely discernible through the pouches of flesh sagging below his blue-green eyes. If she’d felt more like herself she would have either laughed at the man’s impudence, or glared. Had he thought it funny to launch into a Spanish song just because he’d noticed her deeply tanned skin, her dark eyes and hair? And Bésame Mucho? Kiss him a lot? No lo creo!
He half-closed his eyes and began singing. His accent was better than she would have expected. She looked at the CD racks on either side of his open guitar case, its deeper side scattered with bills and coins. Karen had said to leave her packet where “pájaro herido” played. The musicians in this market changed every couple of hours. Karen said she couldn’t confirm their exact schedule, so Angela didn’t even know if this man was the one she needed to find. Nothing about him suggested a broken bird. With his eyes closed, though, he seemed less threatening.
She moved closer. The muscles of the musician’s right forearm bunched and loosened as he played. A dark discoloration moved along with his muscles, and Angela tried to make sense of it. It was too dark and thin-edged to be a bruise. As she studied it, it resolved itself into a kind of design, and she realized what it must be. It looked like most of a bird, its wings spread.
Someone had inked this man, but done a poor job of it. What had they used, a sewing needle? There was a gap in the tail section, as if the artist—if the tattooer deserved that title—had pulled the skin taut rather than letting it lie naturally as he inked. Idiot. But it told Angela one thing. She had found her broken bird. She felt inside her purse for a folded, taped dollar bill. Inside this dollar was a post-it note with a combination of letters and numbers which meant nothing to Angela. She dropped the taped bill into the player’s open guitar case and looked for the quickest way out of the market.